The Peaky Blinders Film Ratchets Up the Gloom and Black Humor
Cillian Murphy’s final turn as Tommy Shelby in Netflix’s Peaky Blinders: The Immortal Man is a brooding, gorgeous farewell to one of TV’s great antiheroes.
400 Article(s) by: Eileen Jones
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Eileen Jones is a film critic at Jacobin, host of the Filmsuck podcast, and author of Filmsuck, USA.
Fictional Teen Dystopias Reflect Real Capitalist Nightmares
Dystopian teen films will remain popular as long as they keep reflecting truths about young people’s prospects under capitalism.
Project Hail Mary Is the Feel-Good Dystopian Sci-fi We Need
Ryan Gosling’s new space film, Project Hail Mary, blends doomsday stakes with a surprisingly tender cross‑species friendship, offering a rare blockbuster that admits the planet is worth saving — and that solidarity might still matter.
Colleen Hoover’s Awful Hollywood Reign Has Only Just Begun
Reminders of Him is exactly the movie novelist Colleen Hoover set out to make — which is the problem.
Javier Bardem Was a Bright Spot at the Oscars Last Night
At a time of profound unrest and the launch of an insane new war, Hollywood mostly stuck to its “keep politics out” mandate at this year’s Academy Awards. Javier Bardem, however, stood firm: no to war, and freedom for Palestine.
Maggie Gyllenhaal’s The Bride! Is a Monstrous Mess
Maggie Gyllenhaal’s The Bride! swings for a radical, genre-bending reinvention of Bride of Frankenstein. But the result is a messy, overstuffed film that makes an awkward attempt at feminist relevance.
Scream 7 Is More Tedious Meta-Horror Fan Service
The three-decade-old Scream franchise is back and more profitable than ever. But the series’s trademarked meta-commentary about slasher movie conventions has long since worn thin.
Glen Powell’s How to Make a Killing Is Too Squeamish to Land
How to Make a Killing, starring Glen Powell, is a modern-day remake of a 1949 British black comedy classic. But whereas the original found comedy in the ruthless murder of a nasty aristocracy, this remake is far too timid for our times.
Good Luck, Have Fun, Don’t Die Is the Burned-Out End of Something
Gore Verbinski’s new film, Good Luck, Have Fun, Don’t Die, is so strangely ineffectual that the main fascination while watching it is trying to figure out why nothing the film does is working.
Just Think of Wuthering Heights as a Barbie Offshoot
Emily Brontë’s novel deserves a more sophisticated approach than Emerald Fennell’s Wuthering Heights.
Send Help and Sam Raimi’s Genre Movie Joy
Are you desperate for genre movie escapist fun amid all this hell lately? Who isn’t? Sam Raimi’s Send Help is just what the doctor ordered.
The Testament of Ann Lee Is the Wild Shaker Musical You Crave
When it comes to The Testament of Ann Lee, you’re either someone who wants to see a long, sometimes harrowing musical about the woman who founded the Shaker religion, or you’re most definitely not. Hopefully you are.
No Other Choice Is Another Masterpiece by Park Chan-wook
Park Chan-wook’s No Other Choice is a shocking, innovative, and darkly comic film about the pressures of life under capitalism. It’s more proof that the Oldboy director is nothing less than a cinematic master.
28 Years Later: The Bone Temple Is Weird, Wild, and Fun
28 Years Later: The Bone Temple, the latest entry in the British zombie franchise, ups the ante with a Jimmy Savile–inspired satanic cult and mesmerizing performances from Ralph Fiennes and Jack O’Connell.
The Unlovable Ping-Pong Wizard of Marty Supreme
Josh Safdie’s Marty Supreme stars Timothée Chalamet as an obnoxious, nerdy young 1950s ping-pong hustler who somehow cons everyone around him. It’s flashy, fast, and made with so much talent it’s a shame they forgot to make much of a case for Marty’s appeal.
Avatar: Fire and Ash Cannot Be Stopped — Don’t Even Try
Avatar: Fire and Ash is not a good movie. But with its massive box office success, Big Jim Cameron is undeniably giving the people what they want. And what they want is skimpily dressed giant blue aliens.
The Real Reason We’re All Annoyed With Quentin Tarantino
With nothing but a new cut of Kill Bill to offer, Quentin Tarantino has gone into semiretirement right as American cinema is fighting for its very life. And to make matters worse, he won’t stop talking smack.
RIP Rob Reiner — a Mensch Who Made the Films We All Love
Rob Reiner and his wife were killed yesterday. While Donald Trump tweets out a disgraceful, mocking memorial, we’re celebrating a man who made a decade of great cinema as well as a liberal mensch who stood in stark contrast to the inhuman cruelty of MAGA.
The German Take on Gotham
Fritz Lang’s masterful visual depiction of class stratification in Metropolis remains unrivaled by its would-be inheritors.
Netflix Won’t Give Wake Up Dead Man the Release It Deserves
Wake Up Dead Man is another crowd-pleasing entry in writer-director Rian Johnson’s Knives Out murder mystery franchise. It’s the kind of movie that should be crushing it with audiences on the big screen. But Netflix would rather you see it on their streamer.