Dean Van Nguyen is a Dublin-based freelance writer for publications including the Guardian and Pitchfork.
From brutalism to Stranger Things, Western pop culture is full of nostalgia for Cold War aesthetics and lost futures. Young people in ex-Soviet countries have developed their own version, Sovietwave — a music genre that summons up the spirit of the space age.
Since it first went mainstream in the 1980s, hip-hop has been a big business, and many of its leading figures have a strongly capitalist ethos. But there’s an alternative tradition of socialist rap music that challenges the status quo.
The music industry bounced back from a seemingly terminal post-Napster crisis, but the profits from streaming go to big companies and a handful of top artists. Can we build an alternative model that encourages more innovative — and more radical — music?