Man and Stuberman
Kumail Nanjiani’s new Uber-based buddy flick, Stuber, says a lot about woke masculinity, economic precarity, and the death of the old-school “taxi movie.” It’s also not very good.
Nick Serpe is a senior editor at Dissent.
Kumail Nanjiani’s new Uber-based buddy flick, Stuber, says a lot about woke masculinity, economic precarity, and the death of the old-school “taxi movie.” It’s also not very good.
A review of Domenico Losurdo’s Liberalism: A Counter-History.