Christopher J. Lee currently teaches in the Bard Prison Initiative. He has published eight books and is lead editor of the journal Safundi.
This year marks the 70th anniversary of the Bandung Conference that brought together delegates from African and Asian countries as they were breaking free from colonial rule. Bandung became a touchstone for solidarity across the Global South.
Pavement, one of the most celebrated indie rock bands of the 1990s, grappled with the challenge of making a living from music without slotting into the corporate machine. A new documentary recreates the group’s spirit for a very different cultural age.
The album NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD by Godspeed You! Black Emperor is a statement on political art in wartime. Its aim is to speak to our collective horror when faced with a genocide streamed in real time.
Indie rock legend Steve Albini, who died on Tuesday, knew his industry as a musician, critic, and recording engineer. His rebellion against corporate labels was rooted in a deeply held philosophy: that every musician is a worker.
Class rage informs the anger found across Nirvana’s studio albums. Thirty years after Kurt Cobain’s death, we should remember his critique of the corporate mainstream — a political stance shaped by his working-class background.